Avery Aames, author of the newly released Long Quiche Good-Bye from Berkley Prime Crime, is here today to answer some questions about writing a "work-for-hire."
I understand that your book is a work-for-hire. Can you explain what that means?
A publisher comes up with a hook for a series, creates a "bible" (which is an outline including the characters, the setting, and the theme of the series), and then hires an author to write the series (usually based upon an audition to do so).
How has this been easier/harder to write than something you created from scratch yourself?
I love writing for myself, but when I was provided with a bible that the publisher "approved," it made me feel "free." I could write without that little voice in my head telling me that whatever I wrote was garbage. {After enough rejections, that little voice was getting quite vocal!} As I wrote the first book, I was able to remind myself that the publisher wanted this story, and I was providing it with my personal stamp. Words flowed out of me, and I fell in love with the characters and setting. My research wasn't too tough, either.
How much guidance did you receive when it came to plot and characters?
As I said, there's a bible. The bible is about three pages long. This may differ, depending upon which editor came up with the idea. My bible consisted of a few paragraphs of setting and story, a few paragraphs per character that the editor wanted included, and a basic premise for the set-up, the murder, and who did it. I covered all of the bible in the first three chapters. From that point on, the story was all mine.
Does a work for hire differ from other Berkley book contracts when it comes to advances, royalties and print runs?
As far as I know, Berkley pays the same money for any debut novel. The royalties are standard and the print runs depend upon what Berkley thinks will sell at the time of publication. Is cheese hot at the time of publication? They'll print more. Are cupcakes hot? They'll print more. Who knows??!!
Has it been left up to you to plan the next book(s) in the series, or have those plots already been loosely determined?
I came up with the next two plots. I had to run them by the editor, and then I was asked to provide a very thorough outline. Other Berkley authors I know are allowed to write the next book and turn it in, but my editor likes to see an outline. The tweaks she's made have been minor. We communicate in shorthand, and I adore her.
You’ve chosen to use a pen name for the series—why? How did you choose your name?
Because Berkley came up with the hook for the series, they "own" the series. Therefore, they wanted a pseudonym for the author. In the event they elect to have another author, they can use the same name for her. I was able to choose the name. I chose the surname Aames because it is virtually the first in the alphabet, and from a marketing standpoint, that's a good thing. Aames shows up first in lists for libraries and booksellers. Avery Aames has a nice ring, don't you think?
Are you continuing to pursue publication of non-cozies under your own, or another name?
I am continuing to pursue publication of cozies or thrillers under my own name. In fact, my editor is currently reviewing another series idea. We'll see how that goes. For now, I'm thrilled to be writing about cheese. I've fallen in love with my protagonist, my setting, and my stories. And I adore my research. I'm very lucky. Say cheese!
